

Joanna Scanlan gives a superb lead performance, the best of her career so far. Over it is hovering a miasma of dread, rather than bluebirds. And though not really about Brexit, this film does feature the White Cliffs of Dover. It's not worth losing your head over, but it is worth giving the price of admission to your local theater.W hat can we ever really know about each other? The mystery of other people’s lives, the unbridgeable gulf between us all – even, or especially, between married couples – is the subject of this outstanding drama from first-time film-maker Aleem Khan. All in all, Body of Lies is a well made film that would be nothing special (again, the lack of thrills in some parts) if not for the commanding presence of Leonardo DiCaprio and the always consistent Ridley Scott.

I think another Oscar nomination for Monahan is possible here. I also appreciate that the film rarely dragged or got boring, and I credit this to yet another winning script from William Monahan, scribe of The Departed. While the film does have some marvelous and well done action, it's few and far between, as the film is more about gathering intelligence than intelligently blowing everything up. The preview can be a bit deceiving in marketing the film as an action political thriller, like Blood Diamond, when in reality it is the thinking man's thriller without that plot twist I thought would be coming.
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The sound in particular was a plus for me, as was the art direction (like I've said, these are always good things in a Ridley Scott film). Technically well made, just like every other Scott films, Body of Lies brings nothing new to the table while taking things we've seen before and one-upping the last to do it. An able supporting cast adds to the film as well. It is because our two leads (I feel weird saying that, as DiCaprio is the only true lead) work so well together and hold our attention so well that the film succeeds. Once again, Crowe's character symbolizes who he is as a person: a shaken soda bottle one twist from exploding. Though on paper, Russell Crowe's role is pretty weak, he manages to turn in a great performance through an altered appearance and voice. He's in between young heroic roles and adult authoritative roles, which is what his Roger Ferris is: a young CIA agent dealing with new found authority and choices. His role in the film is strikingly similar to his position in his career. He delivers yet another winner of a show, showcasing his ability to grow into even more adult roles as he grows older. Without his commanding and charismatic presence, the film would sink.
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Again, DiCaprio steals the show and makes the movie watchable, as he's in almost every scene in one way or another. Leo has long been one of my favorite actors for his ability to bring intensity and grit to every role he plays (outside of Titanic and Gilbert Grape, of course), making real and believable characters time in and time out. Here, Scott gives his usual tag team partner Crowe a break to let DiCaprio take the reigns. As we already know, the film features two of the most dynamic and talented actors working today in Leonardo DiCaprio and Russell Crowe.

Though put in danger many times throughout the film, I didn't find myself on the edge of my seat whenever those moments rolled around. In Body of Lies, his take on the War on Terror in the Middle East is gripping and realistic (especially the sets), though not as thrilling as it should be. While it has its dark moments, I wouldn't consider this a supremely dark or depressing picture, despite the subject matter. One thing Scott always manages to do in his films is ground the film in reality very well, setting a mood that allows us to get into the film easier. While the film will not be this year's major awards contender, Body of Lies is among the better films by Scott, somewhere between American Gangster and Black Hawk Down. He has occasional flashes of genius (Alien, Gladiator), but always seems to make steady, good, interesting, and watchable films. Ridley Scott has always been very consistent in my mind as a filmmaker.
